Bardolino by the lake

The Bardolino Banco d’Assaggio tasting at the lakeside town of Lazise in the Bardolino zone.

I tasted Chiarettos (both sparkling and still). Chiaretto refers to a rose wine made in the Bardolino zone. Some of the labels for the Chiarettos reminded me of Paris Hilton’s Bedroom (as seen on MTV). Their Hello Kitty Pink clashed with the actual color of the wine, which teeters between rose petal pink and orange.

The color is derived from the grape variety. The primary one in the Bardolino blend is usually Corvina.  This grape is also part of the blend of Valpolicellas and Amarones.

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Sangiovese di Romagna

The Sangiovese di Romagna D.O.C. should be very easy to market and sell.  After all, it has one of the few official Italian denominations that is easy to understand: Sangiovese is the grape variety and Romagna is the region (Emilia-Romagna) where the wine is produced.

 

That it is not flying off the shelves of wine shops around the world is due, in part, to the fact that many consumers have yet to realize that the silky textures and bitter cherry flavors that they appreciate in such famous wines as Chianti and Brunello comes from the Sangiovese grape. Another contributing factor is that few wine magazines and wine shop owners are willing to promote wines that come from beyond the borders of the more popular regions of Tuscany, Piedmont and, more recently, Sicily.

 

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Tasting Barbarescos

Venue: Treiso, Piedmont

Producers of particular note:
Cá del Baio – 40 year old vineyards and a lovely young spokesperson/daughter.
2006 Barbaresco Asili Cá del Baio – The wine has a silky entry that expands to an attractive knubbly sensation. The palate echoes the nose: fresh, high-toned.  The fruit is a subtle amalgam of ripe plums and bitter cherries. There is an upright elegance about this wine.

2006 Barbaresco Valgrande Cá del Baio – Fresh, firm, uplifting nose. Again an excellent compatibility between nose and palate. Rich within its narrow band of flavors.
Varaldo – I have tasted wines from this estate often in the last 10 years and always found them satisfying. They are wines that give pleasure.

2006 Barbaresco Sorì Loreto Varaldo – Bruised plum flavor. On the nose a soft, ripe plum element riding a wave of bright acidity. Very fruity (within this context): plums, ripe bitter-cherries. The finish is dry with a plum-skin astringency.

2006 Bricco Libero Varaldo –  A deeper plum/ruby color, with an old rose rim.  On the nose, Nebbiolo silk sensations, with fine wood tannins. On the palate, full, spicy, with a hint of plum-skin astringency on the long finish. “Sleek as a seal” I wrote in my notes.
“In 10 to 15 years,” says Rino Varaldo, owner of the estate. “It will be perfect.”

When asked about the name of Bricco Libero, Rino says: “We bought the land from a man whose last name was Libero.  He was a very calm person. He had a strong character but he still managed to be nice.  So we decided to name the wine after him.”
The older Barbaresco vintages were tasted at a dinner held at the La Ciau del Tornavento restaurant in Treiso.

I enjoy tasting mature wines because I find they give me more sensual pleasure than the obvious big, fat fruit and wood concoction that we too often find in young wines.  Not to belabor this point -but wine tasting is a sensual experience and, for me at least, the pleasures are increased exponentially when I am confronted with the continuing surprises of an evolving wine, with its evocative, hard to pin down sensations, aromas and flavors.

My identifier for older wines made from Nebbiolo grapes is dried or decomposing autumn leaves (and I mean that in a very positive way.) There is something deliciously evocative about that aroma.

2004 Barbaresco DOCG Vigna Giaia from Az. Agr. Piazzo –  Well-balanced. A firm vibrating bolt of fruit and an intriguing undertow of dried autumn leaves. It has the texture of raw silk. By this I mean there is an appealing knubbly quality to it.  It is an elegant mouthful of dark brambly fruit.

After 20 minutes the wine is still firm and continues to evolve.

1995 Barbaresco DOCG Vanotu from Az. Agr. Pelissero – Again I find the identifier of autumn leaves. In this case surrounded by a rush of warm brambly fruit. The fruit surges forward on the long, evolving finish.  A pleasure.

After 20 minutes the wine is even more appealing. It’s flavor is evocative but firm. This is a wine I would happily try whenever an occasion arises.

1988 Barbaresco DOCG Riserva Santo Stefano 1988 from Az. Agr. Castello di Neive – The ribbon of fruit has become more finely compressed…a gentle weave of autumn leaves, warm rusty brambly fruit unfolding on the palate like silk. A long and attractive finish that leaves, lingering sensations and essences.

After 20 minutes is it still full, firm and pleasing. We have entered the world of great wine. I am grateful for having had this experience.

“This girl of 22 years surprised me with its soft tannins and fruit. I am very happy with this wine,” says Italo Stupino, owner of Castello di Neive, at the end of the tasting.

1979 Barbaresco DOC Montefico from Produttori del Barbaresco – I find this wine very attractive but I must emphasize that  I like mature wines. The flavor has compressed yet again, but within its narrow band of fruit it is firm and satisfying. The wine rides high on the middle palate. On the nose, it is high-toned, firm but supple. A long pleasing, vibrating finish. All of a piece.  It is a pleasure to taste a wine that is so well-knit. We have reached the point where obvious fruit identifiers no longer apply. Just lean back and enjoy the sensations.

“At 30 years old, this wine goes way beyond the usual limit for Barbrescos, which usually have an 8 to 12 – maximum 20 – year life span,”  says Luca Cravanzola, technical advisor.

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Chateau d’Yquem Older Vintages

Venue: La Perla, a very nice hotel in a mountain valley over an hour’s drive from Bolzano.  (Or as the brochure says: “Only three hours from Venice.”)

Pierre Lurton, the Managing Director of Chateau d’Yquem and of Chateau Cheval Blanc, hosts the series of tastings.

We taste the 1934 d’Yquem in the attic of a typical mountain house. By that I mean there are holes in the walls and the steep narrow stairway (with treads worn to the width of a CD in spots) leading up to the room was authentic to the point of dangerous.

1934 Chateau d’Yquem Tawny with vibrant orange highlights. Bright. Clear rim. Fresh. Elegant and restrained. Shadows of tangerine liqueur on the nose. A broad silky sensation. Tightly woven. All the sensations on the nose carry through onto the palate, along with concentrated dried apricot notes. At this age and level, easy fruit signifiers really no longer apply. Long, satisfying finish.

After 30 minutes: The scents have evolved into an elegant, visceral memory of dried apricots.
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Vertical of Franciacorta Villa

The Italian sparkling wine zone of Franciacorta is located in Lombardy. The wines there are made with the same grape varieties (mainly Chardonnay and Pinot Noir) and the same production method as those used in France’s Champagne region.  Satèn is the word used to indicate a Crémant wine (this means a sparkling wine that has a lower pressure in the bottle and thus a creamier mousse).

One of my favorite producers is Villa.  I recently had the opportunity to taste 10 vintages of Villa Satèn.  Here are my notes.  My personal favorite of the vintages is 1998.
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Sassicaia & Neighbors

Venue: Tenuta San Guido’s spanking-new ageing…temple.  I am at a loss for a word to describe an ageing cellar that is not underground and thus not technically a cellar. Most barrel rooms in Tuscany’s Bolgheri zone, which is near the sea, are above ground as the water level is too high to allow for any deep excavation.

I tasted six vintages of Sassicaia while sitting at a long table in the cool central section of the building.  Through thick glass walls on either side of me I could see the barrels containing the 2007 and 2008 vintages of Sassicaia. Behind me was a lawn strewn with rose bushes and in front of me I could see a sweep of fields that stretch to the blue-grey hills. The tasting was hosted by Sebastiano Rosa, a youngish man, with a thick beard and curling hair that fans out below his ears. Mr. Rosa is the nephew (“favorite step-nephew”) of Mario Incisa della Rochetta – the creator of this famous wine.  Mr. Rosa is also Technical Director and Marketing Manager for the estate, having first worked at Chateau Lafite and in other parts of Tuscany.

“My uncle planted in this area in the 1920s and 30s,” said Mr. Rosa. “Everyone told him that he couldn’t produce fine wines here because it was too near the sea. In the 40s, after tasting some Cabernet Sauvignon in Pisa, he decided to plant the grape here.  I know that the mythology says that his Cabernet Sauvignon came from Bordeaux – it’s a sexier idea – but the truth is it came from Pisa.”

The first vintage of Sassicaia was the 1948.  The first commercial vintage was the 1968.

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Patricia Guy

patricia-bio1

Email address: p.guy@ifinet.it

Motto: You can’t fall off the floor

Location: Verona, Italy… by an open window, the scent of jasmine perfumes the breeze

Work place: www.patriciaguy.com

For the very special evening with your loved one which wine you would open: Any decent Franciacorta rosé, the focus should be on the loved one, not the wine.

Best wine bargain: Trebbiano d’Abruzzo – some superb wines from top producers like Masciarelli.

Your favorite varietal: Aglianico

Best aphrodisiac: A refined tactile sensibility, a keen sense of smell and a creative imagination.

Last bite on earth: zucchini flowers, dipped in the lightest tempura batter and deep fried.

Adventurous food and wine pair: Devil Curry with Recioto di Soave

Short bio: Patricia Guy worked in the wine trade in New York and London before moving to Verona in 1991. She writes widely about Italian wine, food and culture for magazines in Britain, Australia, Italy, the United States and Singapore. She teaches tasting to members of the public and wine trade professionals, including oenology students of the University of Verona’s Wine Department and Le Donne del Vino. Her most recent books are Matching Wine with Asian Food (Winner of the Gourmet International Award in the food and wine pairing category) and Bacchus at Baker Street: Victorian Drinking Lore. She worked as a sommelier in New York City in the 1980s at Jams and Buds. Subsequently she studied blind tasting in London for three years with Maggie McNie, M.W. During her time in England she brokered Bordeaux and studied viticulture and winemaking at Plimpton College. Patricia won the International Vintners award based on her wine knowledge and writing ability and The Wine Spectator Scholarship.  She has just been awarded the 2009 Riviera International Prize for her contribution to international food and wine literature.  Find out more about Patricia, her books and her life in Verona at www.patriciaguy.com

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